The Journey of an
Amateur Composer
“Next to the Word of God, the noble art of music is the greatest treasure in the world.”— Martin Luther
Welcome
Whether you’re here to follow my adventures in program and library music, dive deeper into music theory, or explore the art of orchestration—you’re in good company. This site is a creative outlet—a place for students, music lovers, and fellow composers to explore how music is built, how it sounds, and how it connects ideas. There’s no fixed path here—just a love of learning, experimenting, and curiosity through sound.
About
Hello, I’m Trevor—welcome! I’m a full-time piano and theory teacher, certified by The Royal Conservatory of Music. Through my studio, Bach To Basics Music, I work with students across Canada, the U.S., the U.K., and Australia.
This site is a little different. It’s where my teaching life and creative work meet—exploring composition, orchestration, and ideas shaped by years of curiosity. Some of the music I share here is part of personal study, while other pieces may find their way into library catalogs or educational resources. Whether you’re a student, a fellow learner, or just curious, I’m glad you’re here.
My Patreon
A long time ago, I studied orchestration for film and television. Life took me in another direction, and I spent the next 25 years building my teaching studio, working with students of all ages and backgrounds.
Now I’m returning to those early creative sparks—this time with a focus on concert music. This website is where I share study notes and reflections on theory, orchestration, and the composing process—especially for my students who want a deeper look into how music is shaped and developed. If you’re curious about how ideas become music, you’re welcome to follow along and learn with me.
My Music
Most of what I write begins with a question—what would happen if I tried this? My compositions often start with a new scale, an unfamiliar instrument, or a theory idea I’m exploring.
The music I share ranges from traditional and electronic to more experimental, and isn’t always written for performance—sometimes it’s just about creating an effect. Often, my goal is simply to learn, experiment, and discover something new about how musical choices shape structure and sound. If you enjoy the process of discovery, you’ll probably feel right at home here.